In the third part, we take refuge in the relative safety of the interior. The observer is enclosed, hidden behind semi-transparent barriers. Nature and the external environment are present and mediated only in hints and symbolic references (artificial gardens shining through drawn blinds, indoor plants intermingling and merging with plant patterns on curtains, etc.)  A filtered image of the external environment, separated from the observer, conveys a partial  view of reality. At the same time, the semi-transparency of the materials creates a more complex visual structure in which the individual layers intertwine and merge, thereby creating new visual and meaningful contexts.